The Solid State Logic BiG SiX is a powerful analog mixing console perfect for mixing in the studio post-production live performances and podcasting. Featuring SSLs benchmark SuperAnalogue audio technology the BiG SiX delivers the classic sound of SSL consoles in a compact and robust design. Four mono channels are equipped with SuperAnalogue Mic Pres providing transparent and rich audio fidelity with an expanded gain range. The renowned SSL Listen Mic Compressor circuit returns providing you with a powerful processing tool that can be used to create monstrous drum sounds. Each mono recording channel features the newly introduced three-band SSL EQ which encapsulates SSLs classic sound offering advanced shaping controls. The professional metering provides instantaneous visual feedback allowing you to make informed adjustments on the fly. With a myriad of versatile routing options the BiG SiX can handle any job. It features two Stereo Cue buses a dedicated Master section with main/alternate monitor outputs and a monitor source matrix. Console-grade 100mm faders allow you to dictate your levels with absolute precision. It even has an essential version of G-Comp Bus Compressor with Auto release as well as dual headphone outputs for the ultimate SSL experience! Four SuperAnalogue mono inputs Four mono channels with SSL SuperAnalogue mic pres – 66dB of gain compared to mid-40s or 50s – provide the main inputs for the Big SiX offering you best in class audio quality. Thanks to its excellent design the SSL SuperAnalogue design gives you sonic character like no other. The ultra-low noise circuitry means you get perfect sound – every time. The wide dynamic range offers great reproduction no matter what instruments are in your signal chain. It features ultra-low distortion as well as great stereo imaging. It features Phantom Power to handle any mic you use with it. All four mono channels have a new three-band SSL EQ that may be independently switched between shelf and bell curves with different centre frequencies for each type. This gives you great control over your signals. The long 100mm faders provide you with accurate controls for setting levels. Integrated USB interface Perfect for use with your favourite DAW the Big SiX features an onboard 96kHz/24-bit USB interface that is compatible with both Mac and PC devices. The interface comes equipped with 16 premium-grade AD/DA converters which are used to process the SuperAnalogue signal chain. Channels 1-12 are distributed across the first 12 inputs and outputs and cane be switched using the pre/post fader. USB channels 13-16 route to/from External inputs and Master buses. Alternatively sends 9/10 and 11/12 can be fed from the stereo cue buses. G-Series Bus Compressor Taken from the SL G-Series console the BiG SiX incorporates the powerful G-Series Bus Compressor across the mix bus – perfect for ‘glueing’ your sound together for a cohesive production. This iconic compressor circuit features the same topology as the original design. Use it as a starting point for your mix or add some energy and drive to your finished product. It features ‘set and forget’ settings that are renowned for their versatility from larger format SSL consoles. The legendary SSL channel compressor Get the classic SSL sound with the onboard channel compression. You can use the compressor for a variety of applications from audio refinement to adding unique character and punch. Designed for versatility you can use the onboard controls to dial in your required sound. For example setting the attack time between 8ms-30ms the release time to around 300ms and with a 2:1 ratio; the compressor will work across a myriad of different audio content. This is just one of the three compression flavours the BiG SiX provides. Veratile routing options Professional routing and monitoring features allow you to take full control over your mixdown. These routing paths are taken directly from the larger SSL consoles. The Master section includes main and alt monitor outputs with mono check dim and out. Giving you deep control over your output. The fader channels all have proper PFL and mute. It even comes with a talkback mic input with Phantom Power to help you keep in touch with your talent. Specifications SuperAnalogue Channel Microphone Amplifier Gain: Variable from +6 dB to +72 dB (dependent on potentiometer tolerances) Input Impedance: 1.2 k ohms Max Input Level (1 percent THD): 21 dBu Output Headroom: > +27 dBu at onset of clipping Frequency Response: 20 Hz to 20 kHz: – +0.0/-0.2 dB -3 dB high rolloff: > 80 kHz THD+Noise (-20 dBu applied +30 dB gain) @ 1 kHz (filter 22 Hz to 22kHz): < 0.0015 percent CMRR (-10 dBu applied +30 dB gain) @100 Hz: > 90 dB Equivalent Input Noise EIN (150 ohms termination maximum gain): < 127.5 dBu (typically -129 dBu) SuperAnalogue Channel Line Input Amplifier Gain: Variable from -3 dB to +63 dB (dependent on potentiometer tolerances) Input Impedance: 10 k ohms Hi-Z Input Impedance: 1 M ohms Max Input Level (1 percent THD): >+27 dBu before clipping Output Headroom: > +27 dBu at onset of clipping Frequency Response: 20 Hz to 20 kHz: +0.0/-0.2 dB -3 dB high rolloff: > 80 kHz THD+Noise (-20 dBu applied +30 dB gain) @ 1kHz (filter 22 Hz to 22 kHz): < 0.0015 percent CMRR (-10 dBu applied +30 dB gain) @100 Hz: > 80 dB Equivalent Input Noise EIN 150 ohms termination maximum gain: < -120 dBu Channel Equaliser Output Headroom: > +27 dBu at onset of clipping THD+Noise +20 dBu @ 1 kHz (filter 22 Hz to 22 kHz): < 0.0015 percent Noise: <-87.5 dBu Channel Compressor Ratio (slope): 2:1 Threshold: +10 to -20 dB (typical) Attack Time: 5 ms Release Time: 300 ms Output Headroom: > +26 dBu at onset of clipping THD+Noise: +10 dBu @ 1 kHz (filter 22 Hz to 22 kHz): < 0.07 percent +20 dBu @ 1 kHz (filter 22 Hz to 22 kHz) Threshold @-20: < 0.7 percent (typical) Frequency Response (20 Hz to 20 kHz): +0.2/-0.4 dB Noise: < -87.5 dBu SuperAnalogue Stereo Channel Line Input Amplifier Gain: Variable from -10 dB to +20 dB Input Impedance: 10 k ohms Max Input Level 1 percent THD: > +27.5 dBu before clipping Output Headroom: > +27 dBu at onset of clipping Frequency Response: 20 Hz to 20 kHz: +0.0/-0.2 dB -3 dB high rolloff: > 100 kHz THD+Noise (-20 dBu applied +30 dB gain) @ 1 kHz (filter 22 Hz to 22 kHz): < 0.001 percent CMRR: > 55 dB Equivalent Input Noise EIN (150 ohms termination maximum gain): < -93 dBu Overall Channel Signal Chain Output Headroom: Into 600 ohms at onset of clipping: > 24 dBu Into 10 k ohms at onset of clipping: > 27.5 dBu THD+Noise +20 dBu @ 1 kHz (filter 22 Hz to 22 kHz): < 0.0015 percent Frequency Response: 20 Hz to 20 kHz: +0.0/-0.2 dB -3 dB high rolloff: > 80 kHz Output Impedance: 100 ohms Pot centre detent accuracy: +/-1 dB typically < 0.5 dB ADC and DAC Converter Alignment Level (0 dBFS): +24 dBu THD+Noise: DAC -10 dBFS @ 1 kHz (filter 22 Hz to 22 kHz): 0.001 percent ADC -4 dBFS @ 1 kHz (filter 22 Hz to 22 kHz): 0.0007 percent Dynamic Range: DAC A-weighted: 117dB ADC A-weighted: 117 dB General Height (from table top inc. feet): 141.2 mm / 5.6″ Width: 437.2 mm / 17.2″ (Excluding Trim) 489.4 mm / 19.3″ (Including Trim) Power: 38 Watts Unboxed Weight: 6.8 kg / 15.0 lbs (Console excluding PSU) Boxed Weight: 10.1 kg / 22 lbs Product Code: SSL0112