The RME Fireface 802 60-Channel 192 kHz USB/FireWire Audio Interface is a pristine recording interface that boasts crystal clear audio fidelity and comprehensive connectivity and flexibility. With 60 channels of audio world-class microphone preamps that dont colour your signal reference-class converters and the TotalMix FX routing and mixing software the RME Fireface 802 is a truly world-class audio interface. More than your average the RME Fireface 802 features 12 analog inputs with four microphone preamps and eight TRS outputs as well as SPDIF ADAT AES/EBU MIDI and World Clock connectivity you can integrate into any setup and be ready for any recording session. The Fireface 802 comes packed with two headphone outputs on the front rather than one. Apart from this the overall design is similar to the Fireface 800 but with a more modern soft and clean look. Inside the unit SteadyClock technology provides perfect sound quality just like in the Fireface 800 although nearly everything else has been changed. The very latest AD/DA converters have a better signal to noise ratio 192 kHz support and a 118 dBA dynamic range on playback which also applies to the headphone outputs. The high power technology offers high volume whether high or low impedance phones are used. Take control over your routing and effects with TotalMix FX With every purchase of the RMA Fireface 802 you unlock a free download of the TotalMix FX bundle a high-end mixer and signal router thats driven by the internal DSP of your interface. Lighten the load of your computers processing power and utilise the powerful integrated EQ Dynamics Reverb and Echo effects with fidelity up to 192kHz for immaculate sonic performance. TotalMix FX adds unlimited routing and mixing to your workflow offering the unique opportunity to create as many independent submixes as output channels available to turn it into a one-of-a-kind mixer to suit your needs no matter the project. Exceptional sound quality Following the exceptional products before it the Fireface 802 combines world-class circuit design with premium digital technology to create a flexible and high-performance audio interface. Engineered with immaculate attention to detail by the team at RME the Fireface 802 boasts outstanding noise performance and best-in-class distortion levels meaning no matter at what level you record your instrument you can enjoy crystal clear audio fidelity with no interference from noise or distortion. Providing a true neutral performance the preamps and converters used in the Fireface 802 dont imprint any sonic colouration on but instead deliver the most authentic and natural representation of what you plug into your inputs. Whether youre recording a D.I electronic instrument vocal microphone or synthesizer output your sound has never been more faithful than what it is with the Fireface 802. Using the most cutting-edge technology at its disposal the RME Fireface 802 is equipped with the latest low latency A/D and D/A converter chips available as well as I/Os that record up to 192kHz. The result is a tremendous level of headroom up to 118 dBA dynamic range allowing you to capture even the most dynamic of an instrument whether thats a vocal piano or guitar. For maximum flexibility every input is individually switchable to the most common audio levels to integrate seamlessly into any setup including -10 dBV +4 dBu HiGain (equivalent to +2 dBV +13 dBu and +19 dBu for digital full scale). Professional high-transparency preamps Boasting four highly-transparent preamps with low-latency converters the RME Fireface 802 allows you to record in absolute authenticity your source tone. Using similar technology that was employed in the OctaMic II series the 802 is perfectly suited for recording even the most demanding sessions such as classical orchestral concerts. An exceptionally linear frequency response extremely low distortion and excellent signal-to-noise ratio are ideal for capturing and amplifying any audio input be it high-level stage or typical studio signals lower level and high-impedance instruments or dynamic condenser and ribbon microphones. Constructed with combination XLR/TS sockets with Hi-Z options and a range of gain up to +60dB you will be ready for any recording session that comes your way without the need for any external hardware or microphone preamps. Of course each input can be individually switched to power +48V phantom power or instrument level depending on your needs. FeaturesIncludes TotalMix FX a comprehensive effects bundle that includes EQ reverb dynamics and delay plug-ins Comprehensive connectivity to adapt to any recording situation Dual headphone outputs Class-compliant mode for plug-and-play performance with most machines Includes SteadyClock RMEs unique jitter suppression technology Intelligent Clock Control keeps your projects in line at all times A specially developed internal hi-performance switch mode power supply lets the UFX operate in the range of 100V to 240V AC Full standalone operation to be configured directly via iPad MIDI remote and ARC USB comtrollers Up to six memory slots for customised configurations Control your RME Audio interface over network 12 analog inputs and outputs with eight balanced TRS and 4 XLR inputs Eight balanced TRS outputs dual headphone ouptus and two stereo playback channels Record up to 192kHz sampling ADAT connectivity allows for connection of two additional AD/DA converters up to 192kHz simultaneously with the analog inputs SPIF connectivity allows for use as an optical I/O World-Clock input with BNC output and switchable termination allows for universal compatibility Monitor levels measure and test audio systems with the included DIGICheck softwareSpecificationsConnectivity:30 Input / 30 Output channels 12 x Analog I/O 4 x Mic/Instrument Preamp 1 x AES/EBU I/O 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical) 1 x Word Clock I/O 1 x MIDI I/O FireWire or USB operation TotalMix FXProduct code: FIREFACE-802